Osnovna literatura za področje vizualnih in zvočnih zapisov
Brylawski, S. et al., 2015. ARSC Guide to Audio Preservation. Washington DC: CLIR.
Bubestinger, P., 2016. File Formats for Audiovisual Preservation: How to Choose? CDA 2016 Formátové Výzvy LTP (proceedings of the CDA symposium in Bratislava, 2016). Bratislava: Univerzitná Knižnica v Bratislave, str. 58-81.
Busche, A., 2006. Just Another Form of Ideology? Ethical and Methodological Principles in Film Restoration. The Moving Image: The Journal of the Association of Moving Image Archivists 6 (2), str. 1-29.
Cherchi Usai, P. et al., 2008. Film Curatorship: Archives, Museums, and the Digital Marketplace. Vienna: Österreichisches Filmmuseum/SYNEMA.
Cherchi Usai, P., 2000. The Ethics of Film Preservation. Silent Cinema: An Introduction. London: BFI, str. 44-71.
Fossati, G., 2009. From Grain to Pixel. Amsterdam: Amsterdam University Press.
Fossati, G., 2013. Obsolescence and Film Restoration: The Case of Colored Silent Films. Technè 37, str. 103-106.
Flückiger, B., 2013. Material Properties of Historical Film in the Digital Age. NECSUS 1.2 (Autumn 2012).
Howard, B., 2001. Digital Preservation of Moving Image Material? The Moving Image: The Journal of the Association of Moving Image Archivists 1 (2), str. 39-55.
Jamieson, K., 2015. Ethical Film Restoration and Concepts of ‘Original’. Journal of Film Preservation, str. 9-14.
Jarczyk, A. et al., 2019. Memoriav Recommendations. Digital Archiving of Film and Video: Principles and Guidance. Bern: Memoriav.
Laurenson, P., 2005. The Management of Display Equipment in Time-Based Media Installations. Tate Papers (Spring 2005).
Noordegraaf, J. et al., 2013. Preserving and Exhibiting Media Art: Challenges and Perspectives. Amsterdam: Amsterdam University Press.
Read, P. in Meyer, M., 2000. Restoration of Motion Picture Film. Oxford: Butterworth-Heinemann.
Schüller, D. et. al., 2014. Handling and Storage of Audio and Video Carriers: Technical Committee Standards, Recommended Practices, and Strategies. London: International Association of Sound and Audiovisual Archives.
Shahmohammadi, A., 2011. Born-Digital Video Preservation: A Final Report. Smithsonian Institution Archives.
Wallmüller, J., 2007. Criteria for the Use of Digital Technology in Moving Image Restoration. The Moving Image 7 (1), str. 78-91.
Wetering, E., 1999. Conservation-Restoration Ethics and the Problem of Modern Art. V: Hummelen, I. in Sillé, D. ur. Modern Art: Who Cares? Amsterdam: Foundation for the Conservation of Modern Art/Netherlands Institute for Cultural Heritage, str. 247- 249.
Weyer, C., 2006. Restoration Theory Applied to Installation Art. VDR Beiträge zur Erhaltung von Kunst- und Kulturgut 2, str. 40-48.
Wheeler, J., 2002. Videotape Preservation Handbook. Association of Moving Image Archivists.
Nadja Šičarov
Februar 2020
